FILMS AT
THE I.M.U. 2006
All films that were shown at the IMU:
October
- December 2005
August - December 2006
January - July 2007
August - December 2007
CURRENT
All Films: Overview
January - July 2006:
Tuesdays
with Morrie Monday,
Jan 2 2006
This true story about the love between
a spiritual mentor and his pupil reminds us of the affection
and gratitude that many of us still feel for the significant
mentors of our past. It also plays out a fantasy many
of us have entertained: what would it be like to look
those people up again, tell them how much they meant to
us, maybe even resume the mentorship? Maybe it was a grandparent,
or a teacher, or a colleague. Someone older, patient and
wise, who understood you when you were young and searching,
helped you see the world as a more profound place, gave
you sound advice.
Mitch Albom had that second chance. He rediscovered Morrie
in the last months of the older man's life. Knowing he
was dying, Morrie visited with Mitch in his study every
Tuesday, just as they used to back in college. Their rekindled
relationship turned into one final "class":
lessons in how to live.
Tuesdays with Morrie is a magical chronicle of their time
together.
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overview
Nova
- The Elegant Universe Monday,
Jan 9 & Jan 16 2006
Part 1 & Part 2
One of the most
ambitious and exciting a scientific theory ever posed-one
that may be the long-sought "Theory of Everything"-gets
a masterful and lavishly animated explanation that will
excite scientists and non-scientists alike. Beginning
with simple and clear explanations of major concepts of
physics, including gravity, electromagnetism, and relativity,
The Elegant Universe illuminates one of the most revolutionary
theories in physics today.
Known as string theory or superstring theory, this startling
idea proposes that the fundamental ingredients of nature
are inconceivably tiny strands of energy, whose different
modes of vibration underlie everything that happens in
the universe. The theory attempts to unite the laws of
the large-general relativity-and the laws of the small-quantum
mechanics-breaking a conceptual logjam that has frustrated
scientists for nearly a century.
If string theory proves correct, the universe we see obscures
a reality that is far richer and more complex than anyone
ever imagined-a universe with numerous hidden dimensions,
a universe in which the fabric of space can rip and tear,
a universe that may be but one of many parallel universes.
Join host Brian Greene, professor of physics and mathematics
at Columbia University and the best-selling author of
The Elegant Universe, for this exciting and in-depth exploration
of this groundbreaking new theory.
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overview
The Straight Story
Monday,
Jan 23 2006
The Straight Story is based on a real
event in the life of a real person - Alvin is not in the
best of health - he has a bad hip that requires him to
use two canes while walking and he has trouble with his
vision. One day, Alvin receives a phone call from a family
member informing him that his brother, Lyle (Harry Dean
Stanton), whom he has not spoken to in 10 years, has suffered
a stroke. Alvin decides that he must make the 320-mile
trek to Mt. Zion, Wisconsin, and the only means of transportation
available to him is his lawnmower. "I've got to go
see Lyle, and I've got to make the trip on my own,"
he remarks. So, hitching a home-made trailer to a John
Deere, he begins one of the most unusual road trips ever.
Lynch paces the film beautifully, allowing Alvin's character
to be developed in such away that the climactic scene
has a genuine emotional impact. The Straight Story moves
slowly - which is actually perfect for a motion picture
that concerns travel by lawnmower. Passing many types
of scenery with autumn leaves and cornfields ready to
be razed.
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Dead Poets Society
Monday,
Jan 30 2006
Academy Award(R)-winner Robin Williams
delivers a brilliant performance in one of Hollywood's
most compelling and thought-provoking motion pictures.
Williams portrays passionate English professor John Keating
who, in an age of crew cuts, sports coats, and cheerless
conformity, inspires his students to live life to the
fullest, exclaiming ... "Carpe Diem, lads! Seize
the day. Make your lives extraordinary!" This charistmatic
teacher's emotionally charged challenge is met by his
students with irrepressible enthusiasm -- changing their
lives forever. Williams is given plenty of latitude to
work in his brand of improvisational humor. Must see.
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Green Fingers Monday,
Feb 6 2006
A sweet and often touching tale taken
from the real life story of prison gardeners competing
at the renowned Hampton Court garden show. Ina a minimum
security prison a few of it's inmates discover and nurture
a love of gardening which ultimately leads them to enter
a big time Horticultural event in England. GREENFINGERS
was able to masterfully present a "true" story
in a dramatic fashion without adornment and without pandering
to the "happy ending" syndrome espoused by many
American comedies. Yet the film leaves one feeling bubbly,
elated. The reason is that the blend of elements - script
and direction and acting, indeed the entire production
- has the feel of being a "real" story, not
some blended pap that studio executives conceive as filling
a marketing slot. This film can not be too warmly recommended.
It is all heart.
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overview
Madadayo Monday,
Feb 13 2006
Akira Kurosawa was 83 years old when
he made this, his serenely glorious final film. Kurosawa's
eyesight was failing, so Madadayo would be the master's
farewell to filmmaking, and one can hardly imagine a more
lovely and loving way to end one of the greatest careers
in motion picture history. Based on the literary works
of Japanese author Hyakken Uchida, the film presents Uchida
as its central character (named only "The Professor"),
and begins in war-torn Tokyo with the sensei's retirement
from teaching in 1943. He is considered "solid gold"
by his legacy of former students, who support their beloved
teacher as he focuses on writing and throw annual birthday
parties in his honor. Each year they ask "Maadha
kai?" ("Are you ready?"), to which the
aging professor responds, "Madadayo!" ("Not
yet!"), acknowledging that he will die someday, but
only when he's ready.
While Madadayo may not be autobiographical, the professor
(played with charming grace by Tatsuo Matsumura) is clearly
Kurosawa--a beloved master reflecting on life, continuing
to teach, and expressing gratitude for a long and rewarding
career that was "not yet" over. This is a calm
and simple film of peaceful resolution, in which the only
major crisis is the loss of a cat--an episode both heartbreaking
and, finally, as life affirming as the professor's benevolent
wisdom.
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overview
The Color Purple Monday,
Feb 20 2006
Whoppi Goldberg, Oprah Winfrey, Danny
Glover and Margaret Avery, will touch your heart and soul
with their incredible performances in this very dramatic
story. Sisters Celie and Nettie have each other to love,
and it seems that each other, is all they have that is
beautiful in the world. When they are torn apart by unfortunate
circumstances they must face the world on their own. Celie(Goldberg)
is the main focus. She is forced into a situation of an
abusive marriage at the early age of 14 and life for her
does not get any easier from there. For decades she hopes
beyond hope to hear something of her sister Nettie who's
last words to Celie were, "Only death can keep us
apart!". Celie's character develops quite a strength
over the years and she also forms a strong kinship with
an unlikely source. It is a film that is unforgettable
and once seen, will stay with you always.
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overview
The Station Agent Monday,
Feb 27 2006
A strong ensemble and director Tom McCarthy's
sweetly low-key observations make Sundance fave The Station
Agent a treat. The film revolves around a reserved, somber
dwarf (Peter Dinklage, immortalized by his brilliant ticked-off
tirade in Living in Oblivion), a train enthusiast who
inherits a small depot in rural New Jersey. He makes friends,
somewhat reluctantly, with a group of eccentric locals:
the guy at the coffee stand (buoyant Bobby Cannavale),
an artist (Patricia Clarkson, impeccable as usual), a
librarian (Michelle Williams). A few of the plot strands
feel forced, but whenever the actors are simply playing
off each other with McCarthy's nicely understated dialogue--which
is most of the time--it ambles along winningly. You'll
also learn more than you ever thought you'd want to know
about trains. The key is Dinklage's smoldering performance,
one of those reminders that a single scowl is worth pages
of conversation.
>> back to
overview
Mr Holland's Opus
Monday,
March 6 2006
An earnest story of a music teacher's
impact on those around him. Richard Dreyfuss plays an
aspiring composer and musician who takes a job teaching
music at a local high school to save money while he composes
his music. But when his wife becomes pregnant, Glenn Holland
must put aside his dreams and address the everyday realities
of his life, from the melancholy and sometimes tragic
fates of his students to the discovery that the son he
cherishes is deaf. Building to a highly emotional climax
in which the teacher sees the impact he's had on the world
around him, Mr. Holland's Opus is a showcase for a fine
Oscar-nominated performance by Dreyfuss and an engaging,
heartwarming story.
Of
Mice And Men Monday,
March 13 2006
Clinging to each other in their loneliness
and alienation, George and his simple-minded friend Lennie
dream, as drifters will, of a place to call their own.
But after they come to work on a ranch in the Salinas
Valley their hopes, like "the best laid schemes o'
mice an' men," begin to go awry. Two evocative, beautifully
rendered portraits of "outsiders" struggling
to understand their own unique places in the world.
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The way Home
Monday,
March 20 2006
Quietly unfolding like a sweet and
simple fable, The Way Home is a touching, award-winning
film about the common bonds that emerge between distant
generations. Directed with delicate compassion by Jyong-Hyang
Lee, it's the first South Korean film to receive distribution
by a major American studio, and begins when seven-year-old
Sang-Woo is left with his mute, stooped-over grandmother
in her ramshackle hut in a rural region far from the comforts
of Seoul. While his single mother struggles to find a job,
the selfish boy initially resents his elderly relative,
who responds to his obstinate behavior with unconditional
love. Slowly, the boy comes to respect and love his caring
grandma in return...
You can find your life in a dance class!! 250 young adolescents,
who have never danced before, and a lot of them come from
the lower class in the society, some even exiled from other
countries, will dance to the Stravinsky's "Le Sacre
du Printemps". The new conductor of the Berlin Philharmonic
Orchestra, Sir Simon Rattle, leads the project. He believes
that the music, the classic music, is not only for people
from higher class of the society, but belongs to all people.
It is just like water and air, people need music to live.
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Rhythm
Is It Monday,
March 27 2006
You can find your life in a dance class!!
250 young adolescents, who have never danced before, and
a lot of them come from the lower class in the society,
some even exiled from other countries, will dance to the
Stravinsky's "Le Sacre du Printemps". The new
conductor of the Berlin Philharmonic Orchestra, Sir Simon
Rattle, leads the project. He believes that the music, the
classic music, is not only for people from higher class
of the society, but belongs to all people. It is just like
water and air, people need music to live. Through the dancing
in a modern ballet, the adolescents find their power, their
values that they have never had in their life.
(100 min)
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BIG Monday,
April 3 2006
A perfect marriage of novel but incisive
writing, acting, and direction, Big is the story of a 12-year-old
boy who wishes he were older, and wakes up one morning as
a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave)
and Anne Spielberg finds some unexpected ways of attacking
obvious issues of sex, work, and childhood friendships,
and in all of these things the accent is on classy humor
and great sensitivity. Hanks is remarkable in the lead,
at times hilarious (reacting to caviar just as a 12-year-old
would) and at others deeply tender. Penny Marshall became
a first-rate filmmaker with this 1988 work.
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Samsara Monday,
April 10 2006
A spiritual love-story
set in the majestic landscape of Ladakh, Himalayas. Samsara
is a quest; one man's struggle to find spiritual Enlightenment
by renouncing the world. After three years of solitary meditation
he is brought out of a deep trance and is taken back to
his ancient monastery where he slowly recovers his strength.
Unexpectedly he finds himself experiencing a surprising
profound sexual awakening. For the first time Tashi begins
to question the spiritual values of his monastic existence...
(138 min)
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Being There Monday,
April 17 2006
Thanks to an extraordinary, delicately balanced performance
by Peter Sellers, being There received mixed reviews during
its theatrical release in 1979, but has since become a celebrated
comedy with a loyal following. It's one of the most unusual
black comedies ever made, simply because it stretches a simple
premise over 130 minutes of straight-faced, strangely compelling
commentary on politics, media, and celebrity in media-savvy
America. Adapted by Jerzy Kozinsky from his own novel, the
movie's about a simple-minded, middle-aged gardener who, after
a lifetime of seclusion and safety in a Washington, D.C. townhouse,
gets his first exposure to reality beyond the walls of his
sheltered existence. His only reference to the world is through
his childlike addiction to television, and when a chance encounter
brings him into the inner fold of a dying billionaire (Melvyn
Douglas), he suddenly finds himself the toast of Washington's
political elite. His simple phrases about gardening are misinterpreted
as anything from economic predictions to sage political advice...
a showcase for the daring genius of Peter Sellers, this is
a classic movie in a category all its own.
(130 min) |
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Powder Monday,
April 24 2006
Fantasy and drama combine in the story
of a teenager known as Powder for his snow-white skin. Powder
is introduced into a tiny Texas community after spending his
entire life in his grandparents' basement. He's a wise genius,
but an outcast, alienated by those who misunderstand and fear
him. When a schoolmaster (Mary Steenburgen) and science teacher
(Jeff Goldblum) discover that Powder has a capacity for empathic
insight and possesses the power to control electricity, the
unusual boy becomes a tragic Christ-like figure--peaceful,
prophetic, and perhaps too good to survive in the real world.
In telling this heartfelt story, Powder struggles to be all
things to all viewers--equal parts E.T. and The Elephant Man--which
compromises its overall impact. But even though it's not a
great movie, it sincerely tries to accomplish something original
and wonderful, and that's more than most movies can claim.
(112
min)
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The Miracle Worker
Monday,
May 1 2006
The Miracle Worker is based on the stage play which
is based on the true story of Helen Keller who was became
deaf, blind and mute after an illness she contacted when
she a baby and thought of by doctors as being retarded and
that nothing could be done to help her so with really no
way of communicating with anyone she was a very frustrated
young girl and was kind of let by her parents to run wild
and doctors and even some family members thought she should
be sent away to an asylum but all that changes when Annie
Sullivan comes to help Helen and teach her how to communicate
and survive so she is not sent away.
Through an undying combination of caring,
kindness, persistence, and unwavering toughness, Annie finally
gets through to Helen.
By the film's final act we can see that Annie has taught
Helen more than just the meaning of the words "water",
"tree", and "key". Annie has taught
her the meaning of the word "love" as well --
as we see demonstrated so well and tenderly in the very
last moments of this motion picture.
The real-life story
of Helen Keller is one of the most remarkable in history.
After scarlet fever rendered her blind and deaf at the age
of only 19 months, Helen would eventually learn to read
(in multiple languages), and she would go on to write more
than a dozen books! She also learned to speak. Helen even
graduated (with honors) from Radcliffe College in 1904.
Helen Adams Keller was born on June 27,
1880, in the small northern Alabama town of Tuscumbia. When
she passed away (just weeks before her 88th birthday) on
June 1, 1968, Helen was one of the most-admired women in
the world, having become friends with ten U.S. Presidents
and also having received honorary degrees from several different
universities worldwide.
(166 min)
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Tibetan Book of Death,
Monday,
May 8 2006
A Way of Life/The Great Liberation
Death is real, it comes without warning and it cannot be escaped.
An ancient source of strength and guidance, The Tibetan Book
of the Dead remains an essential teaching in the Buddhist
cultures of the Himalayas. Narrated by Leonard Cohen, this
enlightening two-part series explores the sacred text and
boldly visualizes the afterlife according to its profound
wisdom. Part 1: A Way of Life reveals the history of The Tibetan
Book of the Dead and examines its traditional use in northern
India, as well as its acceptance in Western hospices. Shot
over a four-month period, the film contains footage of the
rites and liturgies for a deceased Ladakhi elder and includes
an interview with the Dalai Lama, who shares his views on
the book's meaning and importance. Part 2: The Great Liberation
follows an old lama and his novice monk as they guide a Himalayan
villager into the afterlife using readings from The Tibetan
Book of the Dead. The soul's 49-day journey towards rebirth
is envisioned through actual photography of rarely seen Buddhist
rituals, interwoven with groundbreaking animation by internationally
acclaimed filmmaker Ishu Patel.
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Dreamkeeper Monday,
May 15 2006
The story of a resentful Lakota teenager
(Eddie Spears) who reluctantly agrees to drive his wise
old grandfather (August Schellenberg) from their South Dakota
"rez" to an All-Nations Powwow in Albuquerque,
New Mexico. Along the way, the tradition-bound elder serves
as tribal "dreamkeeper" for his initially resistant
grandson, who gradually realizes that his grandfather's
stories--visualized through effects-laden reenactments involving
all manner of magic and mystery--are essential in preserving
the fading cultures of the Lakota and the several other
tribes whose folklore depends on unbroken generations of
oral tradition...
(120 min)
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The Saltmen of Tibet Monday,
May 22 2006
Since time immemorial, nomadic herdsmen
have lived in an extremely harsh environment on the plateau
of the Himalayas, pasturing their yaks in the highest meadows
of the world. Every spring, the men of the tribe set off
with their robust pack animals on an arduous three-month
journey to the salt lakes of northern Tibet. The film follows
this traditional nomadic caravan, steeped in religious ritual
but doomed by technological progress, as it sets off to
the salt lakes to haul the "white gold" back to
their native valleys. Shot under the most difficult of conditions,
The Saltmen of Tibet brings the viewer as close as possible
to the mysterious and religious experience of another world.
Shot under extreme conditions in one of the world's most
remote and beautiful locations, THE SALTMEN OF TIBET documents
the ancient traditions and daily rituals of a Tibetan nomadic
community and transports us into a different realm; step
by step we follow the unforgettable, annual three-month
pilgrimage to the holy salt lakes of northern Tibet.
(110 min)
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Dersu Uzala Monday,
May 29 2006
During an unusual chapter in the
career of director Akira Kurosawa (Rashomon), the filmmaker
went to Russia because he found working in his native Japan
to be too difficult. The result was this striking 1975 near-epic
based on the turn-of-the-century autobiographical novels
of a military explorer (Yuri Solomin) who met and befriended
a Goldi man in Russia's unmapped forests. Kurosawa traces
the evolution of a deep and abiding bond between the two
men, one civilized in the usual sense, the other at home
in the sub-zero Siberian woods. There's no question that
Dersu Uzala (the film is named for the Goldi character,
played by Maxim Munzuk) has the muscular, imaginative look
of a large-canvas Soviet Mosfilm from the 1970s. But in
its energy and insight it is absolutely Kurosawa, from its
implicit fascination with the meeting of opposite worlds
to certain moments of tranquility and visual splendor. But
nothing looks like Kurosawa more than a magnificent action
sequence in which the co-heroes fight against time and exhaustion
to stay alive in a wicked snowstorm. For fans of the late
legend, this is a Kurosawa not to be missed
(140 min)
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Latcho Drom (1994) Monday,
June 05 2006
The journey of the Romany people, traveling
people better known as Gypsies, told through musicians and
dancers of India, Egypt, Turkey, Romania, Hungary, Slovakia,
France, and Spain.
The film takes the viewer on a journey west, from India to
Spain, with stops along the way, to dramatize Romany's nomadic
culture. This journey takes place over a year's time, from
summer through fall and winter to spring. Gatlif holds his
camera on the elemental essentials of this life: water, the
wheel, fire, beasts of burden and of sustenance, colorful
clothes, jewelry, musical instruments, song, and dance. Every
step of the way, there are hypnotic reminders of the harshness
and beauty of the Rom lifestyle: the rhythms of labor pounding
into vibrant dance, the songs of Turkish flower sellers merging
with the plaintive political satires of a gray-haired Romanian
violinist. Music is everywhere--children barely able to walk
dance alongside great-grandmothers. Throughout, via song and
dance, young and old celebrate, embody, and teach the cultural
values of family, journey, love, separateness, and persecution. |
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Memoirs of a Geisha Monday,
June 12 2006
In 1929 an impoverished nine-year-old named Chiyo from a
fishing village is sold to a geisha house in Kyoto's Gion
district and subjected to cruel treatment from the owners
and the head geisha Hatsumomo. Her stunning beauty attracts
the vindictive jealousy of Hatsumomo, until she is rescued
by and taken under the wing of Hatsumomo's bitter rival,
Mameha. Under Mameha's mentorship, Chiyo becomes the geisha
named Sayuri, trained in all the artistic and social skills
a geisha must master in order to survive in her society.
As a renowned geisha she enters a society of wealth, privilege,
and political intrigue. As World War II looms Japan and
the geisha's world are forever changed by the onslaught
of history.
A fascinating story, which traces a young girl's determination
to free herself from the imprisonment of scullery maid to
geisha, then from the imprisonment of geisha to a woman
allowed to love.
(145 minutes)
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Touch The Sound
Monday,
June 19 2006
While still a student, Evelyn Glennie learned that she was
going deaf. Rather than abandon her study of music, in which
she had shown such talent, she instead turned her focus toward
percussion instruments and developed her ability to feel the
sound through her body. She invites the director and his crew
into her meditative world that allows her to literally "hear"
with her body. This documentary follows her as she performs
in New York, Germany and Tokyo, sharing her insights into
the nature of music and the ways in which we experience it.
Redelsheimer captures some unbelievably beautiful natural
moments of picture and sound, and juxtaposes them with his
own soulful artistic skill.
(99 minutes)
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The Rising Place Monday,
June 26 2006
Set against the picturesque landscape of the Mississippi Delta
in the 1940's, "The Rising Place" follows the close
friendship of two young women, each of a different race, and
their struggle to find purpose in their lives during this
time of social injustice and world war. When Virginia visits
her Aunt Millie at Christmas, she discovers a stack of handwritten
letters over half a century old, and unlocks the story of
her aunt's youthful days as a young woman living in Hamilton,
Mississippi, during the second World War. Beautifully shot
sequences episodically shift back and forth from the past
to the present. In a time when a woman's place was in the
home, young Emily ventures out and falls in love with a young
soldier, eventually carrying his baby out of wedlock. With
the support of her best friend Wilma Watson and their draft-dodging
companion Will Bacon, Emily is able to stand by her convictions
in a household dominated by the standards of a salt-of-the-earth
father and an unconditionally loving mother.
(93 minutes)
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Coyote Waits Monday,
July 03 2006
The compelling Coyote Waits is based
on one of the Leaphorn and Chee mystery novels by Tony Hillerman
(all three have been adapted for television), concerning a
partnership, of sorts, between an experienced Navajo detective,
Joe Leaphorn (Wes Studi), and a young reservation cop, Jim
Chee (Adam Beach). When the latter's colleague and friend
ends up shot to death and left to burn in a fiery car, Chee
takes time off to evaluate whether he should become a healer
instead of a lawman. Either way, he can't proceed without
getting to the bottom of the killing and proving or disproving
his own original assumption that the murderer is a shaman
he found drunk and in possession of a gun near the crime.
Working the case from a different angle is Leaphorn, who finds
a link between the shaman and a missing university professor
on the trail of a major historical find. Beach and Studi are
terrific, though the story doesn't bring them together, in
the same space, very often. (The two characters do most of
their communicating by phone.) Familiar faces in the supporting
cast include Gary Farmer (Dead Man), Keith Carradine (Deadwood),
and Graham Greene (Dances with Wolves). Sheila Tousey is outstanding
in her recurring role as Emma Leaphorn, Joe's wise, no-nonsense
wife.
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A Thief of
Time Monday,
July 10 2006
An anthropologist, Ellie Friedman-Bernal
(Rosalia de Aragon), is suspected of selling ancient Anasazi
pottery on the black market. Lieutenant Joe Leaphorn (Wes
Studi) and Officer Jim Chee (Adam Beach) are sent to investigate.
Ellie's hyper-competitive colleagues, Maxie Davis (Dawn Lewis)
and Randy Elliott (Lee Tergesen), claim to be clueless about
her whereabouts. Hailing from a hard-scrabble farm, Maxie
is an improbable success at the academic game, while East-Coast
patrician Randy is more at home as a scholar. Ellie's cryptic
notes lead Leaphorn and Chee to preacher/fencer Slick Nakai
(Graham Greene), and his musician/accomplice Pete Etcitty
(Kenneth White Eagle Wings), who later turns up dead--along
with another pot poacher. Then there are the rich, unsavory
collectors Richard DuMont (James Pollard) and local rancher
Harrison Houk (Peter Fonda), who was the last person to see
Ellie alive. If the mystery is to be solved, some nettlesome
questions need to be answered: Why did Ellie trade a saddle
for a kayak just before she disappeared? Why does the crippled
Houk himself own a kayak? And what's that hunched-over form
in the shadows that looks strangely like Kokopelli, the flute-playing
Navajo spirit?
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The Dark Wind Monday,
July 17 2006
Jim Chee, local rookie cop is guarding
a windmill that is periodically being put out of business
when he hears a plane crash. This leads to many mysteries
including a body with a message in its mouth. This takes place
on the reservation so we have an overlap of authority in the
search for clues, between the local authorities (Lou Diamond
Phillips as Officer Jim Chee, Fred Ward as Lieutenant Joe
Leaphorn) and the Feds. There is also overlapping rights between
the Hopi and the Navaho.
If you have read Tony Hillerman then you will recognize your
old friends. It is also nice to see the area where the story
takes place around the Navajo reservation in Arizona and New
Mexico. Of course being a different media there is some consolidation
of characters and allowance for acting stile over written
character description. The movie is still fun to watch.
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Last of the Dogmen Monday,
July 24 2006
Last of the Dogmen is actually a very
moving and magical film. Tom Berenger plays a Montana bounty
hunter who helps an anthropologist (Barbara Hershey) search
for the descendants of a Cheyenne tribe who disappeared in
the 1870s. What the two find in a remote mountain stretch
is an entire community of Cheyenne who have kept themselves
cut off from the modern world. A Dances with Wolves parallel
emerges as the white outsiders gradually fit in, but Last
of the Dogmen stands up just fine without comparison to any
other films. As in Kevin Costner's Oscar-winning movie, however,
there are ways in which this film captures a similar sense
of yearning, mystery, and loss
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All films that were shown at the IMU: October
- December 2005
August - December 2006
January - July 2007
August - December 2007
CURRENT
All Films: Overview
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